An oral history of the film that has been hailed as the greatest action movie ever made features interviews with the cast and crew, including director George Miller and stars Charlize Theron and Tom Hardy. It won six Oscars, but it is a miracle Mad Max: Fury Road ever made it to the screen... or that anybody survived the production. Production stalled several times; the stars clashed repeatedly in the brutal Namib Desert, and director George Miller's...

Nueva traducción de El proceso que respeta el peculiar estilo de Kafka, con reordenación de capítulos y un fragmento inédito en español. Josef K., un ciudadano corriente, se despierta una mañana en presencia de unos misteriosos funcionarios que han ido a detenerlo a la pensión en la que reside. Le interrogan y le comunican que se le permite seguir con su vida diaria a pesar de estar detenido. A partir de ahí, se ve envuelto en un proceso judicial...

The acclaimed literary biographer looks at the early life of influential writer and public figure H.G. Wells, from his school days and his emergence as writer of extraordinary depth to the publication of The Time Machine.

Este libro explora lo fantástico en la literatura peruana a través de un conjunto de ensayos dedicados a Clemente Palma, Abraham Valdelomar, César Vallejo, Julio Ramón Ribeyro, Luis Loayza, José Durand, Manuel Mejía Valera, José B. Adolph, Rodolfo Hinostroza, Harry Belevan, Carlos Calderón Fajardo y Enrique Prochazka; quienes contribuyen a la narrativa que cuestiona los usos realistas habituales.

Mark Payne is the Chester D. Tripp Professor in the Departments of Classics and Comparative Literature, the John U. Nef Committee on Social Thought, and the College at the University of Chicago. His books include Theocritus and the Invention of Fiction, The Animal Part, and Hontology. An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genres The literary lineage of postapocalyptic...

Science Fantasy blends science fiction AND fantasy, so it tends to be bolder and more highly colored than pure science fiction. In the middle of the last century, the British magazine SCIENCE FANTASY created its own distinctive strains of fantasy narrative, most famously by such writers as Brian W. Aldiss, J. G. Ballard, John Brunner, Michael Moorcock, and Thomas Burnett Swann, among others. This book looks closely at the whole trajectory of that...

David Dean Oberhelman (1965-2018) was a librarian and scholar with wide-ranging research interests, who had a long association with the Mythopoeic Society. He was an enthusiastic supporter of other scholars, a gifted editor, and an outstanding teacher. The core concept of this collection developed from panel discussions in which David drew together a group of fantasy, science fiction, and comics scholars to discuss libraries, librarians, archives,...

A lot of people read Perry Rhodan novels. Just not here in the English speaking world. In Germany, the science fiction novels about Perry Rhodan are published once a week. They are rip roaring space operas. There is nearly sixty years of Perry Rhodan novels. But they never took off in America. David Macpherson picked up a bunch of Perry Rhodan novels that were translated and published in the 1970s. He reads eight of those books and takes you along...

One hundred years ago Freud's definition of the uncanny was 'not the strange, but the familiar become strange'. In this anthology of new work from a range of writers and academics, the uncanny is a place where you feel at home – until home turns against you. It's a city where the streets can't join up. The uncanny alienates your own body from you through medical advances, such as prosthetic limbs or cardiac defibrillators. The 'uncanny valley' is...

With contributions from professors, scholars, bloggers, playwrights, and novelists from Australia, the Netherlands, Canada, and Great Britain, as well as the US, this collection explores recent additions to the multifaceted Whedonverse. But it doesn't stop there. Above all comes the question "What's Next?" How will Whedon adapt other Shakespeares like Hamlet and Twelfth Night, seeing that he hates to make the same project twice? Will he offer a female...